Somnath Hore
was born in 1921 in the village of Barama in Chittagong, now in Bangladesh.
At a very early age, Hore started making posters for the Communist Party. It
was at the instance of the party leader P C Joshi that Hore was admitted to
the Government College of Art & Craft.
From 1954
onwards, Hore started experimenting significantly with the printmaking
process. A lifetime of inventive experiments with etching, intaglio and
lithographs culminated in the abstract while on while Wounds series in 1971.
Dramatized with a spot of red, the white on white prints reflected the
political turbulence of the times. Prints were taken with paper pulp pressed
on molded cement matrices. The moulds were made from originals done in clay.
Hore began doing bronze sculptures from 1974 onwards. One of his largest
sculptures Mother with Child that paid homage to the spirit of the people's
struggle in Vietnam was stolen from the Kala Bhavan soon after it was
finished and disappeared without a trace.
Hore's
figuration has always reflected the anguished human body. His sculpture is
no different but the imprint of the hand of the creator is more startlingly
manifest in his sculptures. The torn and rugged surfaces, rough planes with
slits and holes, subtle modeling and axial shifts, exposed channels, all
make for exciting visual and tactile sculptures.